[19], Keith,[20] as well as suggesting a tie to the myth of Clytie, also points to that of Narcissus (to be found, amongst other ancient sources, in the Metamorphoses of Ovid, like the Clytie tale). Beautiful poem. weary of time, Poet, painter, engraver, and visionary William Blake worked to bring about a change both in the social order and in the minds of men. He adds that, perhaps, "a full response to the poem will be able to hold both possibilities in suspension"[41], The British painter, Paul Nash (artist), influenced by Blake,[57] painted a series of Sunflower works towards the end of his life: Sunflower and Sun (1942), Solstice of the Sunflower (1945) and Eclipse of the Sunflower (1945).

Northrop Frye believed that the "merging of imagination and time is the axis on which all Blake's thought turns."[11]"Ah! published in 1794, this was one of the series of poems which explore the harsh realities of late 18th and early 19th Century life during the…, The Chimney Sweeper (Songs of Experience). Through the words of Plotinus, everything in the universe participates in the "first good", symbolized by the Sun. The Soul of the Sunflower by Sara Jewett; ... Ah!

Sun-flower" came from his reading of Thomas Taylor's introduction to and translation of The Hymns of Orpheus (1792).

Titled “Ah, Sunflower,” the poem references the beauty of youth that is strived after by mankind. So they composed a new tune which accommodated both languages. When Persephone was captured, the Daffodils, originally white in colour, turned yellow. Ah Sun-flower! on Mar 22 2004 12:47 PM x edit .

The Sunflower, the Youth and the Virgin may be all mis-spending their lives, instead of living them in the here and now (what Blake called the "eternal Now").

She believes that the speaker of the poem knows that the "sweet golden clime" that the Sunflower yearns for "is known to be a land of eternal aspiration, not of fulfillment, where even the resurrected dead who have never found "Eternity's sunrise" in the present moment continue to "aspire."" In 1948 he had the hallucinatory experience of hearing Blake reading "Ah, Sun-flower" and two other works (see : Allen Ginsberg : the Blake vision). Sun-flower". (See: moral absolutism and religion). But, as many critics have noted, the poem is not without irony...the sense of timeless rest is soon complicated by the ambiguous syntax. In the poem it turns towards the sun as if seeking that ‘sweet golden clime’; a metaphor for fulfillment. Size and colouring varies across the different copies). Michael Walker (8/7/2019 9:10:00 PM). In addition, in the context of Blake's poem, the Sunflower may "represent" the Church of England (corrupted, repressive and earthbound in Blake's view)[citation needed]; or the yearning of the human spirit for the liberty of Eternity;[32] or a child of God whose desire, unlike the earthly frustrations of the Youth and Virgin, leads to heaven. Sun flower, Jerusalem The Emanation of the Giant Albion, The Four and Twenty Elders Casting their Crowns before the Divine Throne, The Wood of the Self-Murderers: The Harpies and the Suicides, The Works of William Blake: Poetic, Symbolic and Critical, Themes from William Blake's The Marriage of Heaven and Hell, https://en.wikipedia.org/w/index.php?title=Ah!_Sun-flower&oldid=962445669, Articles with unsourced statements from January 2013, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 June 2020, at 03:26. Dear poet it is a nice poem because sun flower is a large, Ah! © Academy of American Poets, 75 Maiden Lane, Suite 901, New York, NY 10038. This, in turn, will lead the lovers to the triple "world of lover, beloved and mutual creation; the father the mother and the child. With "sexual love... we may proceed up a ladder of love" (clime/climb?) "Here in his Songs sexual desire is shown sinful, but only experience can lead man to insight, only through experience man is able to reach a higher state of innocence",[29] (what Blake called "organized innocence."). Size and colouring varies across the different copies). Bloom,[40] referring to Blake's The Marriage of Heaven and Hell, says that "the Human, standing still, becomes the wholly natural", and is, quoting Blake, "unable to do other than to repeat the same dull round over again" (just like the Sunflower). Bravo! Ginsberg’s poem, in this way, is a continuation of Blake’s modernism, yet it shows the extremes of pollution and corruption that have come into the world. Their "minds are bound as the Sunflower is literally bound." The contrast is Blake’s method of social protest. The printmaking technique used for the whole page is relief etching, with pen and watercolour, touched with gold. provided at no charge for educational purposes, The Marriage of Heaven and Hell: [8] A Memorable Fancy, The Marriage of Heaven and Hell: [7] A Memorable Fancy, The Marriage of Heaven and Hell: [6] A Memorable Fancy, The Marriage of Heaven and Hell: [5] A Memorable Fancy, The Marriage of Heaven and Hell: [4] Proverbs of Hell, The Marriage of Heaven and Hell: [3] A Memorable Fancy, The Marriage of Heaven and Hell: [2] The Voice of the Devil, The Marriage of Heaven and Hell: [1] The Argument, JERUSALEM—The Emanation of the Giant Albion: Chapter Three, JERUSALEM—The Emanation of the Giant Albion: Chapter Two, JERUSALEM—The Emanation of the Giant Albion: Chapter One. Blake is emphasizing, she thinks, "that aspiration itself (if it is present-hating and future-loving) is a form of confinement". Thus Blake is able to show the cyclical monotony that the protagonists are suffering, while at the same time giving a forward note of impetus and hope to the movement of the lines. [36] Ryan says that "the premium placed on virginity seemed to him [i.e. The two human figures also seem to be symbols of something and much of what the critics have said about them might also apply to the Sunflower.

Retrieved 22 January 2013 (expand "View lot notes"), File:Songs of Innocence and of Experience, copy AA, 1826 (The Fitzwilliam Museum) object 43 My Pretty Rose Tree.jpg, "The Lied, art song and choral texts archive", A comparison of 13 copies of Ah! : Blake] particularly wrongheaded and he showed his disdain for it on many occasions...and offered no consolation to the 'Youth pined away with desire,/ And the pale Virgin shrouded in snow' (E25) who remain unfulfilled even after their repressed lives are over. The sunflower must be impressive. The sunflower is a symbol of youthful aspiration not met. Sunflower! Sun-flower" is an illustrated poem written by the English poet, painter and printmaker William Blake. [4], "The speaker begins with a sigh that suggests the same weariness that he attributes to the Sunflower (a suggestion emphasized by the heavy stresses in the song).

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[19], Keith,[20] as well as suggesting a tie to the myth of Clytie, also points to that of Narcissus (to be found, amongst other ancient sources, in the Metamorphoses of Ovid, like the Clytie tale). Beautiful poem. weary of time, Poet, painter, engraver, and visionary William Blake worked to bring about a change both in the social order and in the minds of men. He adds that, perhaps, "a full response to the poem will be able to hold both possibilities in suspension"[41], The British painter, Paul Nash (artist), influenced by Blake,[57] painted a series of Sunflower works towards the end of his life: Sunflower and Sun (1942), Solstice of the Sunflower (1945) and Eclipse of the Sunflower (1945).

Northrop Frye believed that the "merging of imagination and time is the axis on which all Blake's thought turns."[11]"Ah! published in 1794, this was one of the series of poems which explore the harsh realities of late 18th and early 19th Century life during the…, The Chimney Sweeper (Songs of Experience). Through the words of Plotinus, everything in the universe participates in the "first good", symbolized by the Sun. The Soul of the Sunflower by Sara Jewett; ... Ah!

Sun-flower" came from his reading of Thomas Taylor's introduction to and translation of The Hymns of Orpheus (1792).

Titled “Ah, Sunflower,” the poem references the beauty of youth that is strived after by mankind. So they composed a new tune which accommodated both languages. When Persephone was captured, the Daffodils, originally white in colour, turned yellow. Ah Sun-flower! on Mar 22 2004 12:47 PM x edit .

The Sunflower, the Youth and the Virgin may be all mis-spending their lives, instead of living them in the here and now (what Blake called the "eternal Now").

She believes that the speaker of the poem knows that the "sweet golden clime" that the Sunflower yearns for "is known to be a land of eternal aspiration, not of fulfillment, where even the resurrected dead who have never found "Eternity's sunrise" in the present moment continue to "aspire."" In 1948 he had the hallucinatory experience of hearing Blake reading "Ah, Sun-flower" and two other works (see : Allen Ginsberg : the Blake vision). Sun-flower". (See: moral absolutism and religion). But, as many critics have noted, the poem is not without irony...the sense of timeless rest is soon complicated by the ambiguous syntax. In the poem it turns towards the sun as if seeking that ‘sweet golden clime’; a metaphor for fulfillment. Size and colouring varies across the different copies). Michael Walker (8/7/2019 9:10:00 PM). In addition, in the context of Blake's poem, the Sunflower may "represent" the Church of England (corrupted, repressive and earthbound in Blake's view)[citation needed]; or the yearning of the human spirit for the liberty of Eternity;[32] or a child of God whose desire, unlike the earthly frustrations of the Youth and Virgin, leads to heaven. Sun flower, Jerusalem The Emanation of the Giant Albion, The Four and Twenty Elders Casting their Crowns before the Divine Throne, The Wood of the Self-Murderers: The Harpies and the Suicides, The Works of William Blake: Poetic, Symbolic and Critical, Themes from William Blake's The Marriage of Heaven and Hell, https://en.wikipedia.org/w/index.php?title=Ah!_Sun-flower&oldid=962445669, Articles with unsourced statements from January 2013, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 June 2020, at 03:26. Dear poet it is a nice poem because sun flower is a large, Ah! © Academy of American Poets, 75 Maiden Lane, Suite 901, New York, NY 10038. This, in turn, will lead the lovers to the triple "world of lover, beloved and mutual creation; the father the mother and the child. With "sexual love... we may proceed up a ladder of love" (clime/climb?) "Here in his Songs sexual desire is shown sinful, but only experience can lead man to insight, only through experience man is able to reach a higher state of innocence",[29] (what Blake called "organized innocence."). Size and colouring varies across the different copies). Bloom,[40] referring to Blake's The Marriage of Heaven and Hell, says that "the Human, standing still, becomes the wholly natural", and is, quoting Blake, "unable to do other than to repeat the same dull round over again" (just like the Sunflower). Bravo! Ginsberg’s poem, in this way, is a continuation of Blake’s modernism, yet it shows the extremes of pollution and corruption that have come into the world. Their "minds are bound as the Sunflower is literally bound." The contrast is Blake’s method of social protest. The printmaking technique used for the whole page is relief etching, with pen and watercolour, touched with gold. provided at no charge for educational purposes, The Marriage of Heaven and Hell: [8] A Memorable Fancy, The Marriage of Heaven and Hell: [7] A Memorable Fancy, The Marriage of Heaven and Hell: [6] A Memorable Fancy, The Marriage of Heaven and Hell: [5] A Memorable Fancy, The Marriage of Heaven and Hell: [4] Proverbs of Hell, The Marriage of Heaven and Hell: [3] A Memorable Fancy, The Marriage of Heaven and Hell: [2] The Voice of the Devil, The Marriage of Heaven and Hell: [1] The Argument, JERUSALEM—The Emanation of the Giant Albion: Chapter Three, JERUSALEM—The Emanation of the Giant Albion: Chapter Two, JERUSALEM—The Emanation of the Giant Albion: Chapter One. Blake is emphasizing, she thinks, "that aspiration itself (if it is present-hating and future-loving) is a form of confinement". Thus Blake is able to show the cyclical monotony that the protagonists are suffering, while at the same time giving a forward note of impetus and hope to the movement of the lines. [36] Ryan says that "the premium placed on virginity seemed to him [i.e. The two human figures also seem to be symbols of something and much of what the critics have said about them might also apply to the Sunflower.

Retrieved 22 January 2013 (expand "View lot notes"), File:Songs of Innocence and of Experience, copy AA, 1826 (The Fitzwilliam Museum) object 43 My Pretty Rose Tree.jpg, "The Lied, art song and choral texts archive", A comparison of 13 copies of Ah! : Blake] particularly wrongheaded and he showed his disdain for it on many occasions...and offered no consolation to the 'Youth pined away with desire,/ And the pale Virgin shrouded in snow' (E25) who remain unfulfilled even after their repressed lives are over. The sunflower must be impressive. The sunflower is a symbol of youthful aspiration not met. Sunflower! Sun-flower" is an illustrated poem written by the English poet, painter and printmaker William Blake. [4], "The speaker begins with a sigh that suggests the same weariness that he attributes to the Sunflower (a suggestion emphasized by the heavy stresses in the song).

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ah sunflower poem

[17] The speaker's personification of an inanimate flower suggests that the soul (a word to be used with caution in Blake) or lover, (options 1 or 3 in the list above), or both, is intended. Where the Youth pined away with desire, I am delighted to find you here and receive your aid in resuscitating my languishing soul. [7](See the external link at the bottom of this page for a comparison, provided by the William Blake Archive, of 13 versions of the design. Only "plants are completely adjusted to this world," and above it lies the "imaginative world." He says that this "helps to draw attention to the fact that no progression is made in the course of the poem at all.")[41]. For Johnson, Blake is turning the emblem convention around and criticizing the "frustrated desire, deferred pleasure, and preoccupation with the hereafter that rack the characters" in his poem. He says: "...our inability to accept either a pessimistic-sardonic reading of the sort advocated by Bloom or Wagenknecht (one in which the 'poem's sweet golden clime' is an illusion, and 'aspire' means 'fail to attain'), or a more straightforward, unironic interpretation such as Hirsch's, again seems part of a larger plan." However, its content entails much more than the name suggests. As the sunflower aspires to the sun (God) so too does the soul of Man aspire to satisfy and fulfil the desire for eternal love. Sunflower" to cheer me up. George Mills Harper[30] suggests that the impetus for Blake's creation of "Ah! Sunflower - Language, tone and structure Language and tone. One of my favourite Poets.. luv his flair and style of writing. A "tiny golden human form of the Sunflower, with petal-like arm, root-like leg, and hair flowing back"[8] appears in the top-left, but, other than a blue patch of sky at the top-right, there seems to be little direct connection with the poem. weary of time, They are dead, unlike the Sunflower, and yet have the same aspirations towards what might be the "unfallen world, called Paradise in the Bible and the Golden Age in the Classics. Sun-flower' and 'The Lilly'...", but thinks that the ambiguities are part of Blake's deliberate strategy - perhaps to put doubts in our minds about the speaker of the poem (whom Leader calls "the Bard"). : metamorphosed) into a Sunflower or possibly a Heliotropium, condemned, or fated, by her love, to always turn her face to the Sun (Hyperion/Helios) as it/he moves across the sky. The sunflower is a symbol of youthful aspiration not met. "[51][52], Antal notes that, "besides the Ovidian references, the poem has strong spiritual connotations," and that the "possibility of an afterlife" is being held out. That appeared the following year on their album La vache qui pleure in both English and French recordings. The Sunflower (originally the Heliotrope), ever since the myth of Clytie, has "been an emblem of the faithful subject". Others also think that maybe the two humans are symbols of misplaced asceticism - perhaps as much "conceptual and imaginative" as "actual denial of the flesh. ..............oh this is the most beautiful poem I have read today....enjoyed... Read poems about / on: journey, snow, sun, time, Ah Sunflower Poem by William Blake - Poem Hunter. Allen Ginsberg was one of the poets who admired this poem. Sun-flower" (with its constrictions of space-time and its hint at creative, energetic imagination as a potential way out) seems to be an example of this dialectic, as the various responses of critics outlined below show. sunflower, weary of time,Who countest the steps of the sun,Seeking after that sweet golden climeWhere the traveller’s journey is done; Where the youth pined away with desire,And the pale virgin shrouded in snow,Arise from their graves and aspire;Where my sunflower wishes to go.

[19], Keith,[20] as well as suggesting a tie to the myth of Clytie, also points to that of Narcissus (to be found, amongst other ancient sources, in the Metamorphoses of Ovid, like the Clytie tale). Beautiful poem. weary of time, Poet, painter, engraver, and visionary William Blake worked to bring about a change both in the social order and in the minds of men. He adds that, perhaps, "a full response to the poem will be able to hold both possibilities in suspension"[41], The British painter, Paul Nash (artist), influenced by Blake,[57] painted a series of Sunflower works towards the end of his life: Sunflower and Sun (1942), Solstice of the Sunflower (1945) and Eclipse of the Sunflower (1945).

Northrop Frye believed that the "merging of imagination and time is the axis on which all Blake's thought turns."[11]"Ah! published in 1794, this was one of the series of poems which explore the harsh realities of late 18th and early 19th Century life during the…, The Chimney Sweeper (Songs of Experience). Through the words of Plotinus, everything in the universe participates in the "first good", symbolized by the Sun. The Soul of the Sunflower by Sara Jewett; ... Ah!

Sun-flower" came from his reading of Thomas Taylor's introduction to and translation of The Hymns of Orpheus (1792).

Titled “Ah, Sunflower,” the poem references the beauty of youth that is strived after by mankind. So they composed a new tune which accommodated both languages. When Persephone was captured, the Daffodils, originally white in colour, turned yellow. Ah Sun-flower! on Mar 22 2004 12:47 PM x edit .

The Sunflower, the Youth and the Virgin may be all mis-spending their lives, instead of living them in the here and now (what Blake called the "eternal Now").

She believes that the speaker of the poem knows that the "sweet golden clime" that the Sunflower yearns for "is known to be a land of eternal aspiration, not of fulfillment, where even the resurrected dead who have never found "Eternity's sunrise" in the present moment continue to "aspire."" In 1948 he had the hallucinatory experience of hearing Blake reading "Ah, Sun-flower" and two other works (see : Allen Ginsberg : the Blake vision). Sun-flower". (See: moral absolutism and religion). But, as many critics have noted, the poem is not without irony...the sense of timeless rest is soon complicated by the ambiguous syntax. In the poem it turns towards the sun as if seeking that ‘sweet golden clime’; a metaphor for fulfillment. Size and colouring varies across the different copies). Michael Walker (8/7/2019 9:10:00 PM). In addition, in the context of Blake's poem, the Sunflower may "represent" the Church of England (corrupted, repressive and earthbound in Blake's view)[citation needed]; or the yearning of the human spirit for the liberty of Eternity;[32] or a child of God whose desire, unlike the earthly frustrations of the Youth and Virgin, leads to heaven. Sun flower, Jerusalem The Emanation of the Giant Albion, The Four and Twenty Elders Casting their Crowns before the Divine Throne, The Wood of the Self-Murderers: The Harpies and the Suicides, The Works of William Blake: Poetic, Symbolic and Critical, Themes from William Blake's The Marriage of Heaven and Hell, https://en.wikipedia.org/w/index.php?title=Ah!_Sun-flower&oldid=962445669, Articles with unsourced statements from January 2013, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 June 2020, at 03:26. Dear poet it is a nice poem because sun flower is a large, Ah! © Academy of American Poets, 75 Maiden Lane, Suite 901, New York, NY 10038. This, in turn, will lead the lovers to the triple "world of lover, beloved and mutual creation; the father the mother and the child. With "sexual love... we may proceed up a ladder of love" (clime/climb?) "Here in his Songs sexual desire is shown sinful, but only experience can lead man to insight, only through experience man is able to reach a higher state of innocence",[29] (what Blake called "organized innocence."). Size and colouring varies across the different copies). Bloom,[40] referring to Blake's The Marriage of Heaven and Hell, says that "the Human, standing still, becomes the wholly natural", and is, quoting Blake, "unable to do other than to repeat the same dull round over again" (just like the Sunflower). Bravo! Ginsberg’s poem, in this way, is a continuation of Blake’s modernism, yet it shows the extremes of pollution and corruption that have come into the world. Their "minds are bound as the Sunflower is literally bound." The contrast is Blake’s method of social protest. The printmaking technique used for the whole page is relief etching, with pen and watercolour, touched with gold. provided at no charge for educational purposes, The Marriage of Heaven and Hell: [8] A Memorable Fancy, The Marriage of Heaven and Hell: [7] A Memorable Fancy, The Marriage of Heaven and Hell: [6] A Memorable Fancy, The Marriage of Heaven and Hell: [5] A Memorable Fancy, The Marriage of Heaven and Hell: [4] Proverbs of Hell, The Marriage of Heaven and Hell: [3] A Memorable Fancy, The Marriage of Heaven and Hell: [2] The Voice of the Devil, The Marriage of Heaven and Hell: [1] The Argument, JERUSALEM—The Emanation of the Giant Albion: Chapter Three, JERUSALEM—The Emanation of the Giant Albion: Chapter Two, JERUSALEM—The Emanation of the Giant Albion: Chapter One. Blake is emphasizing, she thinks, "that aspiration itself (if it is present-hating and future-loving) is a form of confinement". Thus Blake is able to show the cyclical monotony that the protagonists are suffering, while at the same time giving a forward note of impetus and hope to the movement of the lines. [36] Ryan says that "the premium placed on virginity seemed to him [i.e. The two human figures also seem to be symbols of something and much of what the critics have said about them might also apply to the Sunflower.

Retrieved 22 January 2013 (expand "View lot notes"), File:Songs of Innocence and of Experience, copy AA, 1826 (The Fitzwilliam Museum) object 43 My Pretty Rose Tree.jpg, "The Lied, art song and choral texts archive", A comparison of 13 copies of Ah! : Blake] particularly wrongheaded and he showed his disdain for it on many occasions...and offered no consolation to the 'Youth pined away with desire,/ And the pale Virgin shrouded in snow' (E25) who remain unfulfilled even after their repressed lives are over. The sunflower must be impressive. The sunflower is a symbol of youthful aspiration not met. Sunflower! Sun-flower" is an illustrated poem written by the English poet, painter and printmaker William Blake. [4], "The speaker begins with a sigh that suggests the same weariness that he attributes to the Sunflower (a suggestion emphasized by the heavy stresses in the song).

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