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how to get an ogee curve

And actually I can see here that a lot of these are double lines. Consider Figure 8.3. Let's pick a really current color scheme. And I was having so much fun with that off camera that I decided I should do another level to that class so that I can go into a little bit more detail explaining this technique and how I went about creating it. So we're gonna do that with a brush stroke as well. What color should we do this one, we've done that. So let's take a look at that brush. So that's more like what we had seen, all these changes that you could make just within or just with changing that one single curve. And I think it's going to increase the size of this one and move this one so that it's overlapping. So I'm going to click on this color group which will add it here. Now, there's something happening here that we need to figure out. It was just a rectangle, but just to be on the safe side, I always do that. I was really happy and then something else happened that changed me—changed the way I operated. So looking at the layers here, this is all that should be there. I think that's so cute. I want to change this to be a more round inside bit. And then these are left as rounded points. And we're going to go into the layers. So in the next lesson, what we'll do is take a look at the clipping Mao and make sure that it is exactly five by five and lined up where we need it to be in order for all of us to work and do not have these problems like gaps showing up and sheeps not lining up completely. In this lesson, we will keep adding additional detail to the initial s-curve. I think for this I want to go with slight hint of green in it and we'll leave that for the time being. So we're gonna do tense here and I'm going to say, OK, all the other settings I can leave as is, let's just get rid of these. Let's try a little. So you could do them individually or together. In the last class, I showed you how to start with an ellipse to get this kind of a shape. The Ogee curve is a double S-shaped curvature along the cheeks that gives the face contour and dimension. You can see that I'm just a little bit off with this because it's a bit of a curve here. I'd really have to think about what I was going for here, but this is just fun experimenting. So I'm going to select them both. I guess to be more specific, without a good working knowledge of Corel vocabulary, is there any predefined relationship between the angles and lengths one drags the vector nodes of a line converted to curves to what is the result? Hello Bill; If I needed a half circle I would draw the 1" circle convert it to curves, go to the shape tool and select all the nodes and make them " cusp. We need to add an F here. This is a single line and this is a double. And I think that's going to give us a pretty cool effect. That might be a good one for us to use for this, I can take action. Most people I’ve seen with ogee curves you can tell from a frontal pic. And then I want to talk to you a little bit about using the template to create a quantifoil, a quarter foil, as I reviewed in the last course, water foil stands for, for leaves, and it's a really traditional pattern. We'll get started on one of the other alternate. That's six. Draw a 1" square. So now we've got these two copies of that layer. Ok. All right, so I'll see you in lesson two. And you can experiment with the thickness. I was beyond busy, taking call 1 in 3 nights and working 80 hour weeks. And it really needs, you can see that that ends there. And that's something that I did with a bunch of research. And I'm revamping my website right now. And then I'm going to actually do a completely different transformation on that particular one. This ogee is a cma reversa. So what I wanted to do is select everything in this layer and drag it into this one. They are a very predominant architectural element. You can see that it would be all right. You see how cool that looks. Let's open this colors 2021. Now you can see that that has covered the entire area. So I'm dragging bat layer. So we have that one brush that we created that's probably going to be pretty suitable for this. All rights reserved. And then I'm going to line that up. So R for rotates option clicked rate here, I did 30 degree copies of it. I was working in a cherry orchard and vineyard as a summer job and so developed some knowledge. Now let's zoom in real close up here. So I've got a perfect guide. The top curve is concave , or bowed inward, and the bottom is convex , or curved outward like part of a sphere. REVERSE OR OGEE CURVE. But if I was to work on this other layer, it doesn't end up as part of the repeat. And we just ran out of time in that class. Is there any rhyme or reason to how far and at what angles on must drag the nodes of a line in order to create a perfect semicircle? This group of techniques. So I'm gonna do is I'm going to hit open here. Lesson 2: Altering lnitial S-Curve and Basic Set Up. That's what's going to define the pattern. I do a quick review of the Flip Flop Transformation class results and I show you the beginnings of the improvements to my design. Roman Ogee, Cyma curve & perfect circles. Is the  deflection and length of the vectors necessary to create the semicircle random or can it be calculated/predicted? I could also further reduce the opacity or increase it. 7. We can make adjustments to any of these colors afterwards. So again, I'm going to target the layer. So those have been created using that brush, their pain. And then this area here I want to put an additional pattern into. Outro: Hey guys, you made it. Just kinda lining things up a little bit better. If you're in this class today, it's probably because you just completed my other OG horse. I'm going to say, OK, that's exactly five inches by five inches. We're gonna go into a little bit of detail on how to create those. And now I can just go to this flyout menu and make clipping mask. And I'm going to now go back to this one here and my shortcut. One thing that you need to keep in mind is that you will not be able to create a pattern tile with a pattern field area unless you expand it. So remember that we're only working here in this corner, which will lock that. I did only the three that I needed. We don't want that. As such, the views expressed in this site are those of the participants and do not necessarily reflect the views of Corel Corporation, or its affiliates and their respective officers, directors, employees and agents. We've got part of our design ready to go here.

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